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My work at Rye Harbour encouraged me to examine the human construction of a natural place.  I collected objects and recorded them using photogrammetry, taking hundreds of photographs from all angles to make an accurate 3D record.  Two of these objects can be seen above - a flat periwinkle and a beach pebble.  The viewer can manipulate these digital assets by clicking or touching them.  Their frameworks are then passed to a 3D printer to create physical copies, which I use in my images, inviting the viewer to reconsider our interaction with our landscape

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